Installation Study - War Games by Richard Hamilton
This conviction that technoscientific progress is intimately entwined with psychosexual and moral regression is Ballard’s most quintessential theme, linking his early SF with his most recent fictional work, a quartet of novels—Cocaine Nights (1996), Super-Cannes (2000), Millennium People (2003), and Kingdom Come (2006)—that explore the deviant pleasures of crime and terrorist violence in a high-tech suburban world. So consistent and recognizable is his vision of the world that the term “Ballardian” has even made it into the Collins English Dictionary as a reference to “dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social and environmental developments.”
Look for Ballard’s 2003 novel Millennium People in bookstores this July. Its never been published in the US before.